Timothy Donnelly is the author of Twenty-seven Props for a Production of Eine Lebenszeit (Grove 2003) and The Cloud Corporation (Wave 2010), winner of the 2012 Kingsley Tufts Poetry Prize. Donnelly’s poems have been widely anthologized and translated and have appeared in Harper’s, The Nation, The New Republic, The New Yorker, The Paris Review, Poetry, and elsewhere. He has been a poetry editor at Boston Review since 1996 and is on the faculty of the Writing Program of Columbia University’s School of the Arts, where he currently serves as its chair.

Liz Countryman’s A Forest Almost (2017) was chosen by Graham Foust for the 2016 Subito Poetry Prize. Her poems have appeared in American Poetry Review, Poetry, Boston Review, AGNI, The Kenyon Review, and The Offing. She teaches in the MFA program at the University of South Carolina, and edits Oversound.

Samuel Amadon is the author of Like a Sea (Iowa 2010), The Hartford Book (Cleveland State 2012), winner of the Believer Poetry Book Award, and Listener (Solid Objects, forthcoming). His poems have appeared in The New Yorker, Poetry, Kenyon Review, American Poetry Review, non-site, Poetry Northwest, and elsewhere. He also teaches in the MFA program at the University of South Carolina, and also edits Oversound.