Mark Statman's books include EXILE HOME (Lavender Ink, 2019), TOURIST AT A MIRACLE (Hanging Loose, 2010), Black Tulips: The Selected Poems of José María Hinojosa (University of New Orleans Press, 2012), the first English language translation of the significant poet of Spain's Generation of 1927, a translation, with Pablo Medina, of Federico García Lorca's Poet in New York (Grove 2008), as well as Listener in the Snow: The Practice and Teaching of Poetry (Teachers & Writers, 2000) and, co-edited with Christian McEwen, The Alphabet of the Trees: A Guide to Nature Writing (Teachers & Writers, 2000). About Statman's poetry, David Shapiro writes, "It is hard to compare it to anything else," William Corbett that his poetry is "America's grand plain style descended from William Carlos Williams and James Schuyler," and Joseph Lease, "Statman gives language as commitment, commitment as imagination, imagination as soul-making." Anselm Berrigan notes his "spare, concise, searching poems" in which "the present is inexhaustibly on the move." Joseph Stroud writes "Statman's voice is a kind...that reminds me of the ancient Greek poets of the anthology or the concise voicings of Antonio Machado." Aliki Barnstone calls him "a consummate poet-translator."

Lynne Sachs makes films and writes poems that explore the intricate relationship between personal observations and broader historical experiences. Her work embraces hybrid form and combines memoir with experimental, documentary, and fictional modes. Between 1994 and 2006, she produced five essay films that took her to Vietnam, Bosnia, Israel, Italy, and Germany — sites affected by international war — where she looked at the space between a community’s collective memory and her own subjective perceptions. In recent years, she has expanded her practice to include live performance with moving image. Lynne was first exposed to poetry by her great aunt as a child in Memphis, Tennessee.  Soon she was frequenting workshops at the local library and getting a chance to learn from poets like Gwendolyn Brooks and Ethridge Knight. As an active member of Brown University’s undergraduate poetry community, she shared her early poems with fellow student and poet Stacy Doris. Lynne later discovered her love of filmmaking while living in San Francisco where she worked closely with artists Craig Baldwin, Bruce Conner, Barbara Hammer, Carolee Schneeman, and Trinh T. Minh-ha.  Lynne has made thirty-five films which have screened at the New York Film Festival, the Sundance Film Festival, the Museum of Modern Art, the Whitney Museum of American Art, the Walker Art Center, and the Wexner Center for the Arts. The Buenos Aires International Festival of Independent Cinema, Festival International Nuevo Cine in Havana, and China Women’s Film Festival have presented retrospectives of her work.  Lynne received a 2014 Guggenheim Fellowship in the Creative Arts. She lives in Brooklyn, New York with filmmaker Mark Street. They have two daughters, Maya Street-Sachs and Noa Street-Sachs.  www.lynnesachs.com